đŸ’« and Dean/Ketch?

rosemoonweaver:

Now the devil’s in a rush
And this duct tape makes you hush
Hey there Sedona let me cut you a deal
I’m a little hungover and I have to steal your soul
– Sedona – Houndmouth

The first thing Ketch noticed upon waking was just how stiff his muscles were. Sure, he’d been a little more physical than usual the night before, but he could barely move his legs and his arms
 he didn’t think he’d been that rough on his body. 

“Morning, sleeping beauty,” the voice of the previous night’s bed mate call out from the in-suite bathroom. 

Ketch attempted to roll over, to lift himself off the mattress, but was unable. All at once the sensation of thick, coarse rope around his wrists, the tape plastered to his lip, and sticky, dried sweat came to the forefront of his awareness. Well, that explained the stiffness, then. 

Dean, the man he’d shared the night with, came out of the bathroom, straight razor in his hand. He was wearing the same thing he had been before, a blood red shirt over a dark t-shirt and jeans and a wicked smile that promised all manner of new troubles. 

“Sorry about the restraints but I can’t exactly let a Man of Letters out of my sight now, can I?” Dean’s eyes flashed black as he spoke, beating the flat back of the razor against his palm. 

Ketch glared at him. That’s the punishment for forgoing proper demon checks with his dalliances then. 

“Now, I’m a little short on time, and as much as I’d like to drag this out a little more I can’t afford it. So, here’s the deal; you tell me what I want to know and I slit your throat. You waste my time and I make sure you never walk again and dump your ass in the middle of the desert for the buzzards to deal with. Capisce? 

Ketch rolled his eyes and mumbled behind the tape. 

Dean huffed in response. “You know, all you gotta do is shake your head.” 

Ketch let out an indignant puff of air and nodded. Only then did Dean rip the tape off his mouth, taking a good portion of the skin on his lips with it. 

“You bastard,” Ketch muttered, sucking his bloodied bottom lip into his mouth. 

“I’ve been called worse,” Dean said, pressing his thumb to the edge of the blade. “Now,” he said, “I know you know where the American base for the Men of Letters is. You’re going to tell me.” 

“Lebanon, Kansas,” Ketch said. 

“Okay well if you’re
. wait, what?” Dean froze mid-gesture to stare down at Ketch. “Just like that?” 

“Just like that,” he said.

“You got a death wish or something man? ‘Cause I gotta say, you’re killin’ my murder high here.” 

“If you kill me, I’ll just come back. It’s an inconvenience, at best.” 

“You’re not a witch.” 

“No, but I happen to know a very powerful on. Have known a very powerful one since the 18th century.” 

Ketch smirks as Dean’s eyebrow raises. “Well then I’ll kill them, too.” 

“I doubt your King would be too pleased with that,” Ketch said. 

Dean’s expression grew tight as his gaze skimmed up and down Ketch’s nearly naked body, spread out like a starfish on the bed. 

“You have your location. You can kill me now if you want, though I’d ask you to hurry if you’re going to. I have a schedule to keep, too.” 

Dean shrugged, raising the razor to Ketch’s throat. 

“Or,” Ketch said, “I can tell you the easiest ways to counteract the magic that makes the bunker impenetrable to demons. And where they keep their best artifacts.” 

Dean’s hand stills, and with one swift movement, he moves the razor away from Ketch’s throat and slashes through the rope that binds his right wrist to the headboard. 

“That’s what I thought,” Ketch said with a smirk. 

Stuck in a Snowglobe

rosemoonweaver:

SPN Rare Ship CC: Round 10 | rosemoonweaver vs. @purgatoan
Prompt: snow squall
Ship: Dean/Ketch
Word Count: 2,983
Tags/Warnings: magic, canon divergent, canon verse, blowjobs, mild sexual content, enemies to lovers, sharing body heat, past child abuse, background Sam Winchester/Mick Davies
Summary: Dean and Ketch don’t really get a long. It’s not that he doesn’t like Ketch, he just gets on Dean’s nerves. Getting stuck in a snowglobe together is sure to help matters. 
AO3 Link

“A witch with a hobby shop. Cute,” Dean said, checking the doorway. It was dark inside, and eerily quiet, but the witch had to be in here somewhere.

“Because cursed chachkies are exactly something you’d find endearing,” Ketch said.

Dean rolled his eyes. Leave it to him to draw the short straw and get stuck with Ketch of all people. Ever since he and Mick wound up breaking from the Men of Letters they’d been hanging around Dean and Sam like lost puppies. That was great for Sam, having someone to geek out with and discuss different and more ethical methods of monster fighting but that meant Dean got stuck with Ketch most of the time. It wasn’t that Dean hated him, it was just, well, he rubbed Dean the wrong way. He was quiet most of the time but then he’d say something a little too biting and close to home and Dean was stomping out of the room. He wasn’t sure how, but the bastard was great at digging down deep and finding shit. And he was hot and kinda smug about it, and that pissed Dean off a little, too.

Dean walked around the corner, waving Ketch along with him. They walked slowly, so their footfalls wouldn’t cause the floorboards to squeal beneath their feet. The witch had to be around here somewhere, they’d seen her run it. Dean and Ketch took the backdoor while Sam and Mick took the front.

There was a clatter to the left, followed by Sam’s distinctive shout. Dean sprinted off towards the noise, Ketch following close on his heels. They found themselves in the front room, the witch standing in front of the cash register with Sam and Mick pinned to the wall across from her, both hands raised in the air.

“Sam!” Dean shouted.

The witch swung her head around and dropped a hand, causing Mick to fall to the floor. Two things happened at once then, Dean and Ketch fired their guns and the room flashed purple.

Keep reading

you think adam driver looks 38?

autumnlovesadam:

jinglefish:

mixtapemasterjipc:

alayne-stonecoldfox:

Adam Driver looks differant every damn time I look at him, I don’t know what I think

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^ 17 and a half year old trying to look cool with his water in a wine glass with his older sister and her friends

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^ A 38 year old lumberjack from Alaska who got on the news for winning the lottery

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^ a 25 year old who regrets not finishing highschool as he resents his bus driver job

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^ this middle aged man wrote a self help book about how to succeed in the corporate market

Bless you for this. For this is the funniest post I’ve seen in quite a while.

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^ a 24 year old marijuana jesus, deals drugs and preaches in an urban christian cult compound.

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^ a 15 yr old whose parents made him wear a polo to go to his weird aunt’s place for dinner. he doesn’t want to be there.

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^ a 34 yr old actual mob enforcer who just finished getting hosed off after killing somebody

^ unaging witch that gets half his life force from crows and lives in a shack in the woods

Maaaaaan. I hate it when I actually can discuss interesting concepts and story types w/in SPN because, inevitably, there will be much larger issues with the plot and characters that are also very important, but not my preferred type of discussion.

gabrielthemoose:

rosemoonweaver:

gabrielthemoose:

rosemoonweaver:

Yes exactly. And for some reason it also splits a bit for me? I have written serial killer!Dean. His relationship with Cas is not by any means healthy. It’s manipulative and coercive. But I make it clear from the beginning that Dean doesn’t know better and can’t fully grasp that what he’s doing is wrong and he’s mentally ill. Of course that’s no excuse. It’s still a terribly unhealthy relationship especially when he stalks Cas. For some reason that for me is fine?

I wonder if it’s almost a context thing? Because like, Angel Lust is set in a ‘verse where Jimmy and Sam are both serial killers and they don’t really have any issue with actually murdering people. No one in that ‘verse is exactly stable, but I think b/c I’m writing it with the intent to shock, horrify, disgust, and explore these darker things that I’m able to do it. Is it like that with you? Like you mentioned serial killer!Dean and those kinds of AUs usually have certain reader expectations and conventions, so does that change the ability to write it?
I only wonder b/c if I were to try to present abuse in an AU that turned out happy I don’t think I could.

Ah that makes perfect sense! With dark!fic, going in you know there won’t be a happy or even somewhat functional ending and what is a happy ending is still miserable. In my fic, it boils down to a few options and the best is that Cas leaves Dean, gets to safety, recovers, and Dean ends up in prison. They’re both hurt and have their lives destroyed.

I also think that not trying to validate it and trying to make it sympathetic in a dismissive way plays a part too. If the other person’s trauma is dismissed or the behavior is excused, that makes me squick away from it

Oh totally! If you’re reading dark!fic you should probably be aware that it’s not really going to be “happy”. And even “happy” endings are pretty twisted most of the time. (I actually don’t mind a twisted ending if it’s pulled off well. I read a fic a while back where one character was a siren and essentially forced the other into captivity by speaking. It left me with a sinking feeling in my gut and I really enjoyed that because it was horrifying It wasn’t supposed to be a “good” ending and I loved it.) But yeah, even the best option for your fic is devastating. 

Also, I agree with you on the invalidation and excuse part. There’s a huge difference between an explanation for behavior and an excuse for behavior. Explanations can make a reader sympathetic towards a character, but it doesn’t make their actions okay. I would like to think most folks understand that, but I’m not sure. And I generally just don’t like when the trauma of one character is brushed off by another. 

That sounds like a fic I would enjoy. I love that dark twisting feeling in your gut that would cause. Probably why I love dark!fic and horror so much *lol*. I remember reading a wincestiel fic where the boys were serial killers and killed Jimmy, kidnapped Cas, and they all died. For that story, it fit. There was no one way out other than things getting worse and worse until it suddenly came to a complete halt.

I always wonder about that too. Am I making a character too sympathetic? Can people tell what I’m trying to do with the direction I’m taking it? And especially with what I’m doing with Dean, can the reader pick up he’s slipping and he’s going to start to spiral soon?

lol. I used to watch a buttload of Tales from the Crypt, Twilight Zone, and Tales from the Darkside as a kid, so I love those “and then suddenly everything is awful” twists in horror and suspense. I’ll eat them up. Also that wincestiel fic sounds fun. Do you have the link or remember what it was called? I think it’d be fun to read. 

Creating villains with some sympathy but not too much is always tricky imo. I’m one of those people who really enjoys sympathetic villains and redemption though, so it’s an issue for me. There are villains I want to see get eaten by sharks or whatever, but I do tend to pull for the bad guys. I guess they just resonate more with me. Sometimes though, I think it’s fun to keep the reader in suspense. One of those “will they or won’t they” kind of things but it’s will they or won’t they get worse. But I don’t really write a lot of characters that ride moral lines. I’m trying to with my Peacemaker ‘verse, but it’s kind of difficult. I do hope your readers are understanding what you’re doing with Dean, though.

gabrielthemoose:

rosemoonweaver:

Yes exactly. And for some reason it also splits a bit for me? I have written serial killer!Dean. His relationship with Cas is not by any means healthy. It’s manipulative and coercive. But I make it clear from the beginning that Dean doesn’t know better and can’t fully grasp that what he’s doing is wrong and he’s mentally ill. Of course that’s no excuse. It’s still a terribly unhealthy relationship especially when he stalks Cas. For some reason that for me is fine?

I wonder if it’s almost a context thing? Because like, Angel Lust is set in a ‘verse where Jimmy and Sam are both serial killers and they don’t really have any issue with actually murdering people. No one in that ‘verse is exactly stable, but I think b/c I’m writing it with the intent to shock, horrify, disgust, and explore these darker things that I’m able to do it. Is it like that with you? Like you mentioned serial killer!Dean and those kinds of AUs usually have certain reader expectations and conventions, so does that change the ability to write it?
I only wonder b/c if I were to try to present abuse in an AU that turned out happy I don’t think I could.

Ah that makes perfect sense! With dark!fic, going in you know there won’t be a happy or even somewhat functional ending and what is a happy ending is still miserable. In my fic, it boils down to a few options and the best is that Cas leaves Dean, gets to safety, recovers, and Dean ends up in prison. They’re both hurt and have their lives destroyed.

I also think that not trying to validate it and trying to make it sympathetic in a dismissive way plays a part too. If the other person’s trauma is dismissed or the behavior is excused, that makes me squick away from it

Oh totally! If you’re reading dark!fic you should probably be aware that it’s not really going to be “happy”. And even “happy” endings are pretty twisted most of the time. (I actually don’t mind a twisted ending if it’s pulled off well. I read a fic a while back where one character was a siren and essentially forced the other into captivity by speaking. It left me with a sinking feeling in my gut and I really enjoyed that because it was horrifying It wasn’t supposed to be a “good” ending and I loved it.) But yeah, even the best option for your fic is devastating. 

Also, I agree with you on the invalidation and excuse part. There’s a huge difference between an explanation for behavior and an excuse for behavior. Explanations can make a reader sympathetic towards a character, but it doesn’t make their actions okay. I would like to think most folks understand that, but I’m not sure. And I generally just don’t like when the trauma of one character is brushed off by another.Â