Anakin *angrily lounging on a couch*: Love is dead and never existed. All you did was betray me as I lay sick and festering. You are the definition of dread.
Ahsoka: Are you all right, Master?
Anakin:
No, Obi-Wan stole my fucking jar of cookies.
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Simply put, a narrative foil is a character that is used to highlight traits in another character through comparison and contrast. Foils add depth to both characters, as they explore the things define both as characters and how they function in the story. This, of course, doesnât mean that the characters are limited to how they compare or contrast to the other character in any way, it just means that there are similarities and differences the audience to pay attention to. As long as the characters are well crafted they can stand on their own, regardless of whether or not the foil anyone else.
One of my favorite scenes of The Force Awakens is the opening. Here, weâre introduced to three characters that will play big roles in our story, and two of them are masked. Itâs a moment where weâre introduced to a whole hell of a lot; the characters, the main conflict of the movie, an important setting, and of course, our first big foil for the remaining films: Finn and Kylo. The two of them are such interesting reflections of each other and contrasting in nearly every way and itâs fascinating in terms of who they will grow to be and what it means for both of them when their paths cross. Though they contrast, I feel they may have more in common than it appears at first.
The Contrast
The first scene of The Force Awakens does a lot narratively. In addition to all the establishment of conflict and providing an interesting hook for the audience, it directly singles out Finn and Kylo as characters we should watch and it even makes them acknowledge each other. That little moment of recognizance between the two, when their eyes lock for just a moment, forces us to consider both of them at that moment and to consider what might happen between the two of them in the future.
At first glance, we might be tempted to see them as strictly opposite. After all, they are framed very differently. Kylo speaks while Finn is silent. Kylo strikes down Lor San Tekka and orders a village executed while Finn watches a friend die and canât bring himself to shoot. Kylo is clothed in all black and Finn is in white. But then they lock eyes and Kylo ignores Finnâs insubordination. Itâs Phasma who wants to correct Finnâs behavior, not Kylo, even though heâs got just as much authority to do so. And itâs, of course, this act of mercy that allows Finn to escape, using the authority Kyloâs name grants him no less.
The conflict these two characters carry is also in sharp contrast. Kylo is fighting the pull of the light while Finn is running from the dark (represented by the First Order). Finn runs, Kylo stays. Finn doesnât have a name at the beginning of the story, just a number and a family heâll never know (and doesnât actually seem to worry him too much about as long as he can get away from the thing he fears). Kylo has two names and a family and ancestry that weighs on him. Finn was a faceless cog in a war machine who wants to remain faceless and get away from the war machine. Kylo the descendant of many important people trying to live up to that importance.
At first glance, they are about as different as two characters can be, but they actually share some very interesting similarities.
Lost Children
The theme of lost children specifically lost children who are left to face the world without the help of their parents is prominent in Star Wars. Itâs no surprise that all our new characters have been alienated from their families through either death or the wicked actions of others. Finn and Kylo are two that fall into the latter category.
Finnâs backstory is spelled out for us when he finally reveals his âtrueâ identity to Rey on Takodana. He is a child soldier, one of the countless children stolen from their families to fight and die for others. Finn has no real familial relationships, nor does he have a home or name or ideology. Heâs about as blank of a blank slate can get at the beginning of The Force Awakens, and because of this, his arc is about finding an identity. Through the course of the saga, Finn is going to learn who he can be. The end of The Last Jedi and Finnâs attempted suicide run on the FO cannon is a good step for Finn because it is him finally actually taking a stand, but learning that this stand does not have to cost him his life. It was a great thing for his character that Rose saved him because rather than dying a martyr Finn can now grow into someone who isnât just a means to an end like the FO would prefer. The entire Canto Bight sequence is about Finn opening his eyes to the world around him and gaining a deeper understanding of what it means not just for the galaxy but also what it means for the kind of man he wants to be. He could very easily become like DJ, whose advice is to look out for yourself and not join either side, but he chooses not to be. He chooses to make a stand, not out of fear, but conviction. His story is about finding himself and heâs well on the way there.
Kyloâs backstory is⌠scant. We donât know everything but what we do know (only from the films) is important. Heâs the child of Han and Leia, the only Skywalker of his generation, a child born to heroes and raised by legends and heâs got incredible power. So the question we should be asking ourselves is: what the hell happened? Why did Ben Solo become Kylo Ren? Short version, if you take Leia at her word in TFA is âit was Snokeâ. Though not physically taken, Kylo was also stolen from his parents by an evil force. The age that this actually started to happen and how it happened (whether it was just a dark presence influencing him or Snoke actually telling him things like an evil little mind gremlin) donât matter because symbolically he is a lost child. He has been alienated from his family, through both Snoke and Lukeâs actions, and thus heâs left to fend for himself mentally, spiritually, and emotionally. Heâs lost to his parents who just want him to come home and heâs lost internally, feeling pulled to the light but not believing he can or should be good (and I wonder who put that thought in his head hmmm). He will also undergo a process of finding himself and figuring out what kind of man heâll be, and like Finn, his sight of who and what that could be is influenced by a woman; Rey. Reyâs effect on Kylo is less overt than Roseâs effect on Finn or even Kyloâs effect on Rey, itâs still there. Her actions shove him right out of his comfort zone and leave him in a position where he has to make up his mind. She sets off a chain of events that forces him to face his physical demons in both Snoke and Luke. Having beaten the physical manifestations of what scares him and keeps him trapped heâs now facing the same question Finn was: what kind of man are you going to be?
Itâs very interesting that both of these characters are faced with the challenge of finding themselves. Finnâs arc is relatively straightforward. We can all pretty much guess that heâs going to be a leader and possibly a liberator depending on what happens in EP IX. Kylo, on the other hand, is a giant question mark. It could be that these two little lost boys will find themselves on absolute opposites for the rest of the saga, or it could be that they find themselves closer together after they both face their fears and make their stands.
What You Fear the Most
The fight on Starkiller is such a fascinating exchange. Itâs an instance that echoes the first scene on Jakku between Finn and Kylo, expect this time their both unmasked and something has to be done about the other. Here though, there is no going easy on the other. In a way, they echo the worst fears of each other at that moment; Kylo representing the First Order, bellowing at Finn that heâs a traitor and coming after him and Finn – someone no one expected to actually *be* anything – challenging Kylo over the Legacy saber and all it symbolically represents. And they both lose in the end. Sure, Kylo gets the upper hand and strikes Finn down first, but they both wind up worse for ware. In a way, itâs a reaffirmation of both of their fears. Yes, Finn, the First Order will come after you, you are going to have to fight. No, Kylo, you arenât going to be able to fulfill your âbirthrightâ because your grandfatherâs saber and by extension your grandfather, reject you. And itâs also a reinforcement of their respective calls to something different. This is the first step for both of them to realize that their fears are real and they must face these things in order to grow beyond them.
While they face each other as a manifestation of their deepest fears, it should be noted that they donât actually conquer those fears on Starkiller. Finn is still ready to run from the First Order and Kylo is still holding on to the idea that he has to live in the dark. Thatâs because you can fight and/or kill the thing you fear, but it doesnât address the root of the issue. Courage, they say, is doing something regardless of how much it scares you. Finn must face the First Order not because heâs backed into a corner, but because he wants to. This is why Finnâs fight with Phasma in The Last Jedi actually furthers his arc and the Starkiller fight doesnât resolve the issue. Yes, Finn must fight Phasma because sheâs trying to kill him, but he does so while asserting who he wants to be. Finn wins his fight with Phasma, asserting himself as ârebel scumâ and standing up for himself, not Rey or anyone else. Itâs a personal victory for Finn.
Kylo, on the other hand, hasnât truly faced his fears yet, because his fears canât be faced with anyone but himself. Kylo might win against Finn on Starkiller, but heâs immediately faced with another challenger, another *no one* steps up and almost literally takes the Legacy saber from his hand and leaves him bleeding in the snow. While he succeeds in killing Snoke and would have killed Luke had he actually been there, Kylo doesnât actually win much of anything. Where Finn stands triumphant after his fight with Phasma, Kylo is left shocked and then kneeling in the dirt after his fight with Luke. Kyloâs true fight is internal and hasnât happened yet. It will be a symbolic fight between who Kylo Ren is and who Ben Solo could be and the winner will determine how he ends the trilogy. It could either be a personal victory or a tremendous loss.
Why Are They Foils?
Itâs easy to point out what makes characters foils but itâs more important to point out why. Iâve already alluded to it previously, but the explicit answer is that theyâre both searching for an identity. Finn comes from a legacy of darkness, one he wants to outrun but not confront. Kylo comes from a legacy of light and dark, but heâd rather kill the light than embrace it. Finn removes his mask almost instantly and has to find his own identity while Kylo hides behind the mask and thus hides his true identity. In one regard, their contrast serves to show how different things hold different characters back from doing whatâs expected, and how different kinds of fear are difficult to face.
They are different but their journeys are very similar. They are finding themselves, forging identities and struggling with their own inner conflicts and fears. They must learn who they are and then do something about it. There is the potential for both characters to understand and empathize with each other because theyâre both conflicted and afraid. Theyâre both messy and need help to understand who they want to be and how to do that. I do anticipate seeing them interact again in EP IX, though Iâm not sure under what circumstances, I feel the way the characters were set up in The Force Awakens hints at some unfinished business for both of them.
So how are these characters going to end up in relation to each other? They could remain on opposite ends of the spectrum with one choosing to be a hero and one choosing to be a villain. Or, they could end where they started and wind up on the same side.
(note: I posted this to reddit about three weeks ago, so if this looks incredibly familiar thatâs why)
What is a Narrative Foil?
Simply put, a narrative foil is a character that is used to highlight traits in another character through comparison and contrast. Foils add depth to both characters, as they explore the things define both as characters and how they function in the story. This, of course, doesnât mean that the characters are limited to how they compare or contrast to the other character in any way, it just means that there are similarities and differences the audience to pay attention to. As long as the characters are well crafted they can stand on their own, regardless of whether or not the foil anyone else.
Hux and Poe are such an interesting set of foils that Iâm really surprised I donât see more discussion of how they reflect one another and what that could mean for the upcoming film. They are very similar even if they are on opposite ends of the spectrum ideologically that it really makes you stop and wonder if thereâs so kind of comment of war, in general, being saved up for the finale. I certainly wouldnât be surprised. Letâs take a look at some of the ways that Hux and Poe are alike.
Children of War
While I would like to stick to the films, for the most part, there are a few details about Hux and Poe that arenât mentioned in the films that need to be addressed. For one, they are the only two new characters who were born before the Empire fell. Poe was born to rebels two years before the Battle of Endor, while Armitage was born the year of the Battle of Yavin to an imperial father and a kitchen worker. This is highly interesting as both characters can be seen as not only following in the footsteps of their parents but also seem to want to live up to the legacies they were left. Poeâs mother, Shara Bey, was a pilot for the Rebellion. Brendol Hux, Armitageâs father, was an Imperial and later an officer of the First Order. Itâs fascinating then, that Poe and Armitage then go on to become focal points for the Resistance and First Order, both organizations that borrow heavily aesthetically and ideologically from the Rebellion and Empire respectively. In a sense, these two characters were raised in a way the predisposed them to the role they now play. In a saga that deals heavily with legacy and what that means, it appears that itâs not just the Skywalkers who have passed on a legacy of conflict.
In some sense, this puts the conflict between the Resistance and the First Order in a new light. This is a multi-generational conflict.
True Believers
As leaders on their respective sides, it should be no surprise that both Poe and Hux really do believe in their causes. Huxâs near orgasmic awe at seeing Starkiller Base fire in TFA and Poeâs grim âwe are the spark that will light the fire that will burn the First Order downâ set both of them up as assured in their desire for the destruction of those who oppose them. Though these two after sometimes played for laughs (especially when pitted against each other) theyâre not messing around when it comes to their dedication to their causes. While itâs much easier to sympathize with Poe in this instance, it should be noted that his twist on Holdoâs line âwe are the spark that will light the fire that will restore the Republicâ is a destructive statement. The shadows cast on his face and the way his eyes are turned down as he says this line are ominous as well, which should lead the audience to have some apprehension about what Poe wants. This is deliberate as it frames Poe not in looking to rebuild something that was but to break something that is. Itâs directly in contrast with Roseâs âsaving what we loveâ line as well. This could potentially be a foreshadowing for whatâs to come, especially when it comes to the ways in which Poe and Hux might interact in the future.
Ego and Issues with Authority
The opening scene of The Last Jedi really sets up a lot, if you ask me. Not only do we get the introduction of Poeâs arc, we also get our first on-screen juxtaposition of Hux and Poe and we see how truly alike they are. Both of them are too busy smarting off to each other, being drawn into a pissing contest, and ignoring wiser officers to realize theyâre both losing. Huxâs ego is bruised and as such he focuses more on Poe than he does the threat to the other Star Destroyer, wasting valuable time. Poe too is so focused on taking out a Star Destroyer that he ignores direct orders and does whatever he wants, being cocky enough to think he knows better than his boss. Theyâre too focused on messing with each other and winning, not in the long term, but in the short term, to be effective. Both are ego driven at this moment and because of it, they both suffer heavy losses.
Interestingly, though, is that they seem to mirror each other for the rest of the movie as well. Once the fight is over, Poe is reprimanded and slapped by Leia, then demoted. Hux is reprimanded by Snoke and thrown around and dragged across the floor. (Hux isnât demoted, of course, but his harsher physical punishment probably had the same effect on him as Poeâs demotion did on him.) Poeâs superior is then taken out of commission and Poe then undermines her by going behind her back and arranging plans without her consent. Poe then stages a mutiny but cannot complete his plan because heâs thwarted. Hux also sees his superior taken out of commission (though on a much more permanent basis) and immediately undermines his new boss.
The fact that we do see Poe attempt a mutiny but we donât see Hux attempt a coup could be possible foreshadowing for EP IX. Itâs very possible that the way these two characters have mirrored each other so far is supposed to clue us in on what Hux may have planned for Supreme Leader Ren very shortly. Either way, itâs clear that both of these characters have issues with authority, especially when those authorities disagree with them. While Poe has experienced a character arc that could potentially change his view on how to fight, Hux has not and there is a lot of potential for more conflict between these two.
Why Are They Foils?
By making Hux and Poe so similar in background and temperament, the similarities between different sides of the war are highlighted. Now, obviously, there is a moral distinction to be made here. The First Order is an evil organization. They build weapons that destroy systems in the seconds. The Resistance, on the other hand, is a cobbled together group of people trying to stop the evil organization and they donât have super weapons. This moral distinction is key because I donât believe the intention is to make the two sides equal in terms of capacity for evil. Rather, the similarities between Hux and Poe might serve to show things we associate with âgoodnessâ on the side of a conflict we agree with are the same things we associate with âbadnessâ on the side of a conflict we donât agree with. Poe and Hux both have a strong sense of conviction, theyâre both ambitious and they both have a legacy of important theyâre trying to live up to and surpass. Poeâs defiance of Holdo is divisive, to say the least, and itâs hard for us to accept that a character weâre used to seeing as a hero could have a plan that would go wrong and make them look bad. We expect that kind of defiance and outcome from an antagonist – in someone like Hux.
In my mind, the point of these two characters is to show that itâs not how you fight thatâs really important, itâs why you fight. Both Hux and Poe were born into war and found themselves growing into another one. Both men want to destroy what the other is a part of. What will differentiate the two, however, is whether or not Poe will truly embrace the message of saving what you love rather than destroying what you hate. The key will be whether or not Poe can move past his ego and the legacy of war while Hux remains deeply entrenched in it. Based on the fact that Poe is a PoV character and he is on the more moral side, itâs likely he will be able to do this, and the foils will serve as contrasts to one another.